'Guggenheim Wax Museum', The Unnatural World's opener, has many of the band's staples: a derelict lo-fi aesthetic that buries vocals deep at the song's epicentre, drums that sound like scrap metal being dropped from a great height, and wailing reverb piled up like bricks in a prison wall. The genres didn't matter the planet-devouring Deathconsciousness bled bedroom pop into amplifier worship all it liked, but came to be known as a masterpiece of depression.įor scope alone, Deathconsciousness feels important, but it also makes the band's new music sound contented and unfussy.
They channelled them through their overwhelmingly heavy, occasionally pretty sound – accurately but unhelpfully labelled "doomgaze", a genre portmanteau used to describe their marrying of metal, industrial, post-rock, drone and shoegaze. Have a Nice Life were special because of those words, related like solipsism circling blogs. And then there was the record's ultimate mission statement, screamed through hand-clasped mouths: "Why is life so lonely?". "I just don't accept this", uttered inevitably. What stood out instead were the band's miserable, human-scale aphorisms, and how they manifested: "I don't love!", shot in the dark. Most listeners were late game genre-hoppers, oblivious to the record's original minimal pressing. Their debut record, Deathconsciousness, featured a seventy page booklet presenting a character study of the little-known historical figure Antiochus, but like its protagonist, the music's true meaning faded. Despite their high concepts, Dan Barrett and Tim Macuga have always been subject to their inner demons. The Unnatural World makes a subjunctive point: you might die. There probably doesn't, but I've started to believe in one anyway this is a Bedroom Conspiracy Theory at its most convincing, unspecific and so personal in its threat against your life that the words feel suffocating. It's kissed off with eight terrifying words about good old you: "There exists a secret plot to kill you".
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Retrieved January 29, 2014.The liner notes of The Unnatural World, Have a Nice Life's second LP, contain a manifesto on the advances of science and the grip of mortality, full of analytical philosophy and post-rock appropriate fear-mongering. ^ "Have A Nice Life - "Dan And Tim, Reunited By Fate" "."Have A Nice Life and Woods of Desolation streaming new LPs (listen to both)". ^ Sacher, Andrew and Wyatt Marshall (January 24, 2014)."Listen: Connecticut shoegaze band Have A Nice Life's punishing new song, "Burial Society" ". ^ Darville, Jordan (January 22, 2014).^ a b "Listen to: "Have a Nice Life's new tune, 'Burial Society'""."Viking's Choice: This Song Is Literally For Throwing Stuff Out The Window". ^ a b Gotrich, Lars (December 11, 2013).^ a b "Stream New LPs From Have a Nice Life, Bohren & Der Club of Gore, and Jess Williamson Via Pitchfork Advance"."Have a Nice Life - The Unnatural World". ^ Abraham, Barnabas (5 February 2014).^ "Have A Nice Life – Unnatural World".Of the track "Dan and Tim, Reunited by Fate", Tiny Mix Tapes wrote that "the pair cherrypick tropes from a number of bleak traditions: reverb-drenched industrial beats doom-metal sludge shoegaze drones conjured from effects pedals post-punk bass chuggery a plaintive piano+static post-rock crescendo." Tiny Mix Tapes also wrote that the band holds this genre palette together "by matching its compositional ambitions with idiosyncratic recording and production techniques." Track listing Īll tracks are written by Dan Barrett and Tim Macuga. Lars Gotrich of NPR described the track "Defenestration Song" as "the kind of pitch-black, post-punk party-rocker that'd really turn up at any Goth Night dance." He also wrote: "A two-note guitar riff is barely heard above the dank din as warming feedback permeates the whole affair, like the kind that lulls you to sleep just before an icy death" while comparing the song's rhythm and distorted bass line to the works of the gothic rock pioneers Bauhaus. Noisey Vice stated that the song "Burial Society" had "a Nine Inch Nails-meets-post-punk vibe," which "evidenced Have a Nice Life's leanings on the sonic dark side in the record. Andrew Sacher and Wyatt Marshall of BrooklynVegan wrote that "the album falls somewhere between goth, noise, shoegaze and post-punk." They also described the album as "addictively melodic for such dark music."
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